GoSeeDo

Archive for the ‘Announcements’ Category

Spring is in the air and AEP’s artists are springing into action!

Melissa Riker, Artistic Director of Kinesis Project, is presenting “Phase 1: Mapping Home InStudio”- a look into the creative process of their new work in it’s early stages of development.  You can get into the action, but seating is limited so reserve your spot today!  You could also win tickets to a Yankee’s game so don’t forget your raffle ticket.

 

 

 

The event will be held at Gibney Dance Center in one of their newly acquired studios.  Guess what, YOU can also use these studios for rehearsals, classes, and private events!  Check out the beautiful studios in the heart of Manhattan and book your event today!

 

 

 

 

 

 

 

Jun. 3, 2011, Filed under category Announcements, featured, Program info

3
Jun

AEP’s unconventional-experience booking: More Art, More Often, with Less Work.

We’re excited to share our plans for a new feature that will be a core service for our Beta launch in January. Its purpose is to help you (the artist) create new types of bookable performances and experiences, benefiting both you and your audiences. 

These events aim to offer a unique, up-close, personalized experience for audiences and provide them direct interaction with artists. For you, these experiences offer a more broad range of interactions to offer your audiences between productions. We intend to focus on experiences that give you more chances to perform and share with your audiences, while creating new income opportunities through your art.

Think about it… there are often long down-times between performances. During this time there are limited opportunities for audiences who were inspired by your show to interact further. Producing a full show is expensive, but there are many experiences you could offer to audiences that would be low-cost to you, yet rich and fulfilling for your fans.

Right now… how much is on your website’s event calendar that your audiences can actually attend? What if you could instantly multiply the array of live and virtual events that you, and the artists that work with you, could offer to your audiences, adding experiences that were really cool to them and they didn’t know you could provide?

But how do you 1) package and describe these experiences, 2) make your audiences aware of them and 3) manage their execution?

That’s the problem we will address – to get artists performing and interacting with audiences more frequently, in ways that build earned revenue and cultivate audiences, and that aim to create unique, fun, and inspiring experiences for audiences and artists alike.

Some examples of types of experiences we are exploring include:

  • attending rehearsal showings (often involving introductory remarks, Q&A, and after-rehearsal socializing);
  • “show-hearsals”: similar to a paid-attendance rehearsal, but including a short, more formal performance section;
  • “Through Their Eyes”: a group of fans paying company X, to go see another company’s performance with one of the dancers from company X, and then discussing the show over drinks/dinner afterwards (this allows audience members to get to see art through an artist’s eyes);
  • Impromptu group romps around town;
  • master classes;
  • collaborative creation events;
  • virtual Q&A: live Skype video chat with artist with a group (school, organization, etc.);
  • private teaching/mentorship sessions (shadowing);
  • private short-form, low-cost performances;
  • custom choreography workshops, where a small work is created on you to give you a taste for the experience of the artist.
  • and many more that we will come up with together…..

For many of these experience types, artists can:

  • commit in advance to offering a particular experience on a specific date (such as a “Rehearsal Showing”), or have it packaged as an “on demand” service (available only if an individual or group requests and commits);
  • sell tickets, or have it hosted (or sponsored) by an individual and made free to others (such as a person hosting an after-party, covering the costs for other attendees, or hosting a workshop for school children);
  • have the event booked by a group, or by an individual (events can be 1-on-1, for small or large groups).

AEP will provide templates for these types of experiences so that they are 1) codified and recognizable to audiences as a familiar type of event over time, and 2) described/pitched in a way that is positioned to be most enticing to audiences. Each experience template will be flexible enough to allow for substantial customization and personalization by the artist, so you can really express your own tone and artistic point of view. AEP wants to co-design with you experience types that are low-work/low-cost for you, and repeatable (so that doing the 2nd and 3rd ones are easier than doing the 1st one).

AEP’s Learning Community will be a place to share tips about which types of experiences are most effective, and where artists and audiences can promote and suggest types of events they would like to see take place within the platform. We see a lot of ways to grow the learning community over time so that exploring different ways to engage audiences can be a social experiences for the artists preparing them.

Audiences are now demanding more unique, interactive experiences at unusual times, that add social, learning, and inspiring moments to their everyday. Our belief is that, as artists, a lot of us already conduct ocasional non-traditional event/experience formats, but have largely delayed actually holding them consistently as core offerings because:

  1. we fear that getting the first few done will take lots of time/effort/learning;
  2. we fear embarrassing ourselves by not doing a good job at holding events;
  3. we fear we will lose money on the efforts.

By working together in this shared model, we think we can reduce those barriers.

Some key features/benefits of this feature will be:

  • we will use automation (customizable structured forms, reminders) and information (documentation, support groups) to walk you through the process of creating and holding these experiences;
  • we will integrate with a ticket-seller system to automatically create entries in their system;
  • we will use automation and information to help you promote these offerings and build audiences, through:
    • your existing email list;
    • AEP emails to fans who start following you;
    • your social media accounts (which we will help you set up, if you aren’t using them already).
  • we will structure/reinforce post-event social media: soliciting check-ins (e.g. FourSquare), testimonials, sharing of photos/videos uploaded elsewhere, etc. to capture/spread fan’s enthusiasm;
  • we will track fan behavior in such a way that the most “rabid” fans (those who do the most attending, promoting, reviewing, etc.) are more visible to you, making it easier for you to thank/recognize them.
  • We will link you in with a community of investive artists and audiences, so you can see and learn from what others are doing, and get ideas from your audiences.

Our hope is to give you a service to more easily create, position and execute more events and experiences for your audiences, so that they can subscribe to and be wow-ed by your unique, experience series between performances.

If this idea excites you, and you want to give more experiences with less work, please sign up – we’ll be picking beta community members over the next few weeks!

Nov. 18, 2010, Filed under category Announcements, blog

18
Nov

Shaping the Artist-Audience Relationship: Presentation at NAMP conference.

In a few days I will be flying out to California for the annual arts marketing conference for NAMP, the National Arts Marketing Program, of Americans for the Arts. I’ll be leading a session which you can read about below or watch this quick video about it. I’m looking forward to hearing about all the experiementation in the arts at the conference, and to having conversations with the attendees who are flying in from across the country (and abroad)! Here’s a link to the description of our session and the other exciting events at the conference. I’ll be sure to post more about the conference while I’m there. – Chris Elam

SHAPING THE ARTIST-AUDIENCE RELATIONSHIP. Sunday, Nov 14, 9am-10:15am PST. Do you struggle to build connections with your audience beyond your performance or exhibition schedule? Want to know about digital audience engagement innovations happening in the field right now? This session covers recent applications of technology being developed to invigorate audience engagement, including a new web-based service, the Audience Engagement Platform (AEP). See how digital relationship building works, how it can apply to your organization, and how it can improve measuring your marketing efforts.

Speakers: Caleb Custer, Strategist, Design Brooklyn; Chris Elam, Artistic Director & CEO, Misnomer Dance Theater; Ron Evans, Arts Marketing Consultant, Groupofminds.com; Amy Kweskin, Program Director, California State University East Bay

Nov. 9, 2010, Filed under category Announcements, Program info

9
Nov

Update on AEP

We’ve been relatively quiet recently, so we wanted to share an update.

After completing an Alpha test of AEP we had some ideas which we felt would be good to explore incorporating into the first release. So we put development on hold for a while, reducing expenses while we figured this out. The result is that we now have a refined plan that we are excited to share with you, as well as a few new members who we are welcoming to our team.

The role of VP of AEP Development has been divided into two positions. We brought in two new employees to drive the completion and future development of AEP.

Bill Seitz is our new AEP Product Manager. He’s responsible for our strategic plans and coordinating the daily execution of those plans. He has built the technology/teams for 4 internet startups in the past 15 years (and he’s an ex band-geek.)

Rob Capili is our new AEP Marketing Manager. He’s responsible for the details of design and communications, and will be hiring a Community Manager to help artists get the best use out of AEP. He comes from a dance background and, among other things, was on the Dance/USA Board of Directors and served on the Dance/USA Technology sub-committee.

During this time we also made changes to our Board of Directors and added to our Advisory Board. You can read about both those groups on the “Boards” tab of Misnomer’s site.

We expect to go into Beta test mode in January, with our public release in March. We’ll have a separate announcement shortly about our new product plans.

You’ll be reading more frequent posts from all of us here, and we are excited to share the next steps of this process with you.

That’s the word from AEP.

Nov. 2, 2010, Filed under category Announcements, blog, featured, team

2
Nov

Chris speaking at Columbia University Social Enterprise Conference, October 8

Hi everyone, just a quick post to let you know that Chris will be speaking at the Columbia Business School’s Social Enterprise Conference 2010 on  October 8, 2010.  Here is a description on the conference (looks cool!)

Conference Overview

Despite the economic downturn, social enterprise has continued to attract attention and investment around the world. Social enterprise is here to stay. Yet while we’ve seen dramatic growth in some areas — from the charter school movement to microfinance and insurance — where will the next phase of social innovation come from? How will social impact investors uncover new opportunities? And what new financing models will help to get new ventures off the ground, particularly given tough economic times?

And Chris’ session:

Developing Audiences: Consumption and Capital

This session investigates opportunities and challenges for the arts—dance, music, theater and the visual arts—in supporting intellectual capital and socioeconomic development as arts consumption evolves. The 2008 National Endowment for the Arts’ Survey of Public Participation cites worrying trends: “American audiences for the arts are getting older, and their numbers are declining.” What implications do these trends have for cultural institutions and their communities? What can be done to regenerate traditional arts audiences during recessionary times, how do we build new audiences and who are they? What new modes and technologies of consumption might be used? What for-profit marketing models can be adapted to the nonprofit arena?

Sounds like a great forum to discuss the recent advances on AEP! More info can be found via the conference website, which lists a bunch of interesting sessions they have planned on social issues. Check it out and if you’re in the area, join us for what looks like will be a great conference!

-Ron

Oct. 30, 2010, Filed under category Announcements

30
Oct

AEP at TEDx

Hey everybody, Chris Elam here, and I wanted to talk a little bit about my recent experience performing and speaking at TedxEast. Are you familiar with the Tedx series? TEDx was created in the spirit of TED’s mission of “ideas worth spreading.” The program is designed to give communities, organizations, and individuals the opportunity to stimulate dialogue through TED-like experiences at the local level. At TEDx events, unique talks given by live speakers combine with TEDTalks videos to spark conversation and connections.

Speaking at TEDx was amazing. I’m a huge fan of the TED video series, and knew that what I shared during my presentation would be viewed by a really large audience from a broad range of backgrounds. I wanted to bring attention to the subject of how we as audiences and artists shape our relationships to the arts, and the opportunities to co-produce and collaborate as active cultural participants. That’s one of the main points of why we wanted to create AEP, and it was an honor to spread the word about the great movement that artists are taking to give audiences more involvement. I was one of seven speakers at the event, including great talks by the founder of MeetUp.com and the CEO of GroundReport.com

It was particularly exciting to perform my dance solo “Cast Iron Crutches” for the audience before I spoke. I think there was something magical in preparing people to talk about the interaction between art and technology by allowing them to see the art and then hear from the artist immediately after. It was a thrilling challenge to dance a 5-minute solo and then change out of my costume in 20 seconds and go directly into speaking for another 5 minutes!  My heart was beating quickly during the talk from having just danced, but that’s live performance, and part of the charm which the audience seemed to enjoy. I’m glad the video captured both live, and I hope you enjoy watching it here:

Oct. 30, 2010, Filed under category Announcements

30
Oct

AEP Alpha Program is Starting

We are pleased to announce that we are starting our alpha testing process. If you have signed up to be part of this process please be patient. We are rolling out a few invites at a time. We are excited by all the requests we have received. If you have not signed up yet please go here and sign up today.

Oct. 30, 2010, Filed under category Announcements

30
Oct